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Mimesis and Fantasy in Early Modern Spanish Art

Posted By Elizabeth Gansen, Monday, May 22, 2017

We invite papers that offer new approaches to the study of the relationship between imitation and imagination in early modern Spanish artistic theory and practice.  Recent scholarship on Spanish artistic theory in general has revealed that, rather than slavishly following Italian examples, Spanish writers and artists produced nuanced and complex aesthetics.  While many authors and artists were undoubtedly interested in Italian developments, they were also invested in their own study of ancient ideas on the subject. Expanding beyond Plato’s definitions, Spanish visual and textual discourses on the uses of mimesis and fantasy suggest that the understanding of visual representation was both auspicious and problematic, extending beyond the artistic realm to encompass all human activity.

We seek contributions to the broadening understanding of these topics.  Papers may focus on a variety of issues and approaches, such as the elaboration of aesthetic ideas in textual or pictorial form, the impact of ideas in artistic practice, the influence of aesthetics on the development of new techniques or conventions, and the relationship of art to ideology.

Please email proposals to both Elizabeth Gansen (gansenel@gvsu.edu) and Alejandra Gimenez-Berger  (agimenezberger@wittenberg.edu) by June 3rd, 2017. Proposals should adhere to RSA guidelines and include a paper title (15-word maximum), an abstract (150-word maximum), keywords, and a very brief curriculum vitae (300-word maximum).

Tags:  Art history  Artistic practice  Artistic theory  Book history  Image and text  Spain 

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