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Association for Textual Scholarship in Art History (ATSAH) – Recently Published

Tuesday, October 24, 2017   (0 Comments)

Association for Textual Scholarship in Art History (ATSAH) – Members' Recent Publications

Books
Liana De Girolami Cheney, et al. Radiance and Symbolism in Modern Stained Glass: European and American Innovations and Aesthetic Interrelations in Material Culture. Cambridge, UK: Cambridge Scholar Publisher, 2016.

Sara Nair James, Art in England from the Saxons to the Tudors: 600–1600. Oxford: Oxbow/Casemate Books, 2016.

Articles
Tina Waldeier Bizzarro, Rosemount College, "The Politics of Domesticating the Eternal: The Roadside Shrines of Sicily," in Iconocrazia, 10 (2016), Issue on Arts & Politics: Rhetorical Quest in Cultural Imaging. Online. http://www.iconocrazia.it/category/iconocrazia-102016-arts-and politics/w.iconocrazia.it.

Charles Burroughs, Visiting Professor at Geneseo, "Fluid City: River Gods in Rome and Contested Topography." Mediaevalia 36/37 (2015/6): 187–222.

Charles Burroughs, Visiting Professor at Geneseo, "The Nymph in the Doorway: Revisiting a Central Motif of Aby Warburg's Study of Culture." California Italian Studies 6.1 Issue title: "The Fixity and Flexibility of Images: Italian Art and Identity over Time" (2016). Online. http://escholarship.org/uc/item/1md337mp

Giuseppe Cascione, University of Bari, "The Icon and the imperium," in Iconocrazia, 10 (2016) Issue on Arts & Politics: Rhetorical Quest in Cultural Imaging, http://www.iconocrazia.it/category/iconocrazia-102016-arts-and politics/.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari's Justice: Political Glory for the Farnese Family" in Iconocrazia, 10 (2016) Issue on Arts & Politics: Rhetorical Quest in Cultural Imaging http://www.iconocrazia.it/category/iconocrazia-102016-arts-and-politics/.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari's Last Supper: A Thanksgiving Celebration," Cultural and Religious Studies, December 2016, Vol. 4, No. 12, 735–77.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari's Conception of Our Lady: A Divine Fruit," Journal of Religious Studies, Vol. 4, No. 4 (Winter 2016), 87–115.

Liana De Girolami Cheney, Independent Scholar, "The Labor of the Months and The Zodiac Signs in the Cathedral of Otranto: Symbols of Labor and Time," Journal of Culture and Religious Studies, November 2016, Vol. 4, 11: 682–70.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari and Niccolò Machiavelli: A Medicean Appetite," Journal of Arts and Humanities, Vol. 5, Issue 12 (2016), 35–48.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari's Fine Arts in the Vite of 1550," Journal of Literature and Art Studies, David Publishing Company Vol. 7, No. 2 (February, 2017), 140–78.

Liana De Girolami Cheney, Independent Scholar, "Illustrations for Dante's Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano and Federico Zuccaro," Journal of Cultural and Religious Studies, Vol. 4, No. 8 (August 2016), 488–519.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari's Saint George: A Christian Liberator," Notes on Early Modern Art, Vol. 3, No. 2 (Summer 2016), 1–9.

Liana De Girolami Cheney, Independent Scholar, "Giorgio Vasari and Mannerist Architecture: A Marriage of Beauty and Function in Urban Spaces," Journal of Literature and Art Studies, Vol. 6, No. 10 (October 2016), 1150–71.

Liana De Girolami Cheney, Independent Scholar, "Jacopo Tintoretto's Female Concert: Musica Arcadia," Notes on Early Modern Art, Vol. 3, No.1 (Winter 2016), 27–39.

Liana De Girolami Cheney, Independent Scholar, "Humanism, Italian Renaissance and Islamic Culture in the Arts," Sabah Ülkesi, ed. Ahmet Faruk Caglar, (SAYI 46, Ocak, 1- 2016), 55–59 (in Turkish).

Sara Nair James, Mary Baldwin University, emerita, "Wit and Humor in Ugolino di Prete Ilario's Life of the Virgin at Orvieto," Source: Notes in the History of Art, Vol. 36, nos. 3 and 4 (Spring/Summer 2017), 159–67.

Sara Nair James, Mary Baldwin University, emerita, "St. Joseph in Ugolino di Prete Ilario's Life of the Virgin at Orvieto: Pater Familias and Artisan of the Soul." Gesta, Vol. 55, No. 1 (spring, 2016), 79–104.

Sara Nair James, Mary Balwin University emerita, "A Retrospective of Fine American Stained Glass: The Windows of Trinity Church, Staunton, Virginia," in Radiance and Symbolism in Modern Stained Glass: European and American Innovations, Liana De Girolami Cheney, ed. Cambridge [UK]: Cambridge Scholar Publishing, 2016.

William R. Levin, Centre College, emeritus, "Franciscan Influences on Charitable Practice at the Early Florentine Misericordia," in The World of St. Francis of Assisi: Select Proceedings from the First International Conference on Franciscan Studies, Siena, Italy, July 16–20, 2015 (Siena: Betti Editrice, 2017).

Donato Mansueto, Independent Scholar, "Who Holds the Reins? Notes Equestrian Metaphors and Politics in Some Sixteenth- and Seventeenth-Century Emblems," in Iconocrazia, 10 (2016) Issue on Arts & Politics: Rhetorical Quest in Cultural Imaging, http://www.iconocrazia.it/category/iconocrazia-102016-arts-and politics/.

Maureen Pelta, Moore College, "The Power of Cheese Redux: Reconsidering Church and State in Early Cinquecento Parma," in Iconocrazia, 10 (2016) Issue on Arts & Politics: Rhetorical Quest in Cultural Imaging http://www.iconocrazia.it/category/iconocrazia-102016-arts-and politics/.

Brian D. Steele, "The Politics of Representation: Paolo Veronese, Benedetto da Mantova, and the Wedding at Cana for S. Giorgio Maggiore," in Iconocrazia, 10 (2016) Issue on Arts & Politics: Rhetorical Quest in Cultural Imaging, http://www.iconocrazia.it/category/iconocrazia-102016-arts-and politics/.


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