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Literature CfPs for RSA 2019 Toronto
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This blog is for CfPs for sessions in literature for RSA 2019 Toronto. Members may post CfPs here: sign in to RSA and select "add new post" to do so. Your post should include a title, and the CfP itself should be no longer than 250 words. Adding tags (key words) to your post will help others find your CfP. Make sure the CfP includes the organizer's name, email address or mail-to link for email address, and a deadline for proposals. Non-members may email rsa@rsa.org to post a CfP. Please use the email address of the session organizer posted in the CfP to submit a paper proposal. CfPs are posted in order of receipt, with the newest postings appearing at the top of the blog. Members may subscribe to the blog to be notified when new CfPs are posted: click on the word Subscribe next to the green checkmark above.

 

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Top tags: Literature  early modern  gender  book history  Poetry  material culture  print culture  Renaissance literature  drama  Iberian Peninsula  identity  women  epic poetry  history of reading  printers  reception history  religion  archival research  art history  catholic reform  classical literature  classical reception  colonial Latin America  cultural history  devotional  digital humanities  history of the book  interdisciplinary  Italian literature  Italy 

In Search of the Canon: Poets and Artists Confronting with their Models (c. 1500-1700)

Posted By Maria G. Matarazzo, Thursday, July 19, 2018

The theory of Imitation was a central topic of discussion in the ‘Republic of Letters’. The European community of humanists, philosophers, poets and artists was engaged in the dispute over the models to refer to during the creative process. How to develop a normative canon as a reference point for artists and writers in the practice of Imitation? Which poets and artists to select as the examples of ‘bello stile’?

While the authority of ancient models was universally acknowledged, the building of a canon of modern masters was under discussion. One of the typical environments of this discussion were the Academies, where writers, artists, philosophers, antiquarians gathered around learned patrons.

Considering the interdisciplinary nature of this debate, this panel aims to explore the construction of a canon through a comparative and interdisciplinary perspective. The main purpose is not only to study the mechanisms implied in the building of the canon but also to bring out the intersections between Art and Literature concerning this topic.

Questions to be considered include but are not limited to: the institutions where the debate took place, with a particular focus on the Academies; rhetorical devices for debating the canon and the metaphors of Imitation; the circulation of the canon through publishing, printings, new editions and reproductive printmaking; the impact of the canon on the teaching practices.

 

Please submit proposals to Ida Duretto (ida.duretto@sns.it) and Maria Gabriella Matarazzo (mariagabriella.matarazzo@sns.it) by August 12, 2018.

Proposals should include a paper title, an abstract (150-word maximum), keywords and a CV (300-word maximum).

Tags:  academies  Art History  book history  cultural history  early modern  history of reading  history of the book  Imitation  interdisciplinary  literature  mimesis  patronage  philology  Poetry  print culture  publishers  reproductive prints  the canon  visual arts 

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Call for Panels: SHARP @ RSA 2019 Deadline 7/30

Posted By Andie Silva, Monday, July 16, 2018

The Society for the History of Authorship, Reading & Publishing (SHARP) will sponsor up to four panels at the Renaissance Society of America’s annual meeting in Toronto, ON on 17-19 March 2019. SHARP @ RSA brings together scholars working on any aspect of the creation, dissemination, and reception of manuscript and print and their digital remediation.

We invite panel submissions that consider English and/or Continental books and manuscripts from 1350 to 1700. Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers’ archives, production, circulation, and reception. Panels addressing digital methodologies for the study of book history are especially welcome. Participants may also submit a roundtable discussion rather than a panel.

Please include all abstracts and brief CVs (up to 4 presenters and a chair/respondent) in a single .DOCX or .PDF document. Sessions may be submitted without a chair; should the submission be accepted, a chair will be assigned by the SHARP liaison or the RSA committee.

Completed session submissions should be emailed to Dr. Andie Silva (asilva[at]york.cuny.edu) by July 30, 2018. Panelists will be contacted with a decision before the formal RSA deadline.

Before submitting, please note the following RSA restrictions: All participants must be current members of RSA in order to present. In order to avoid scheduling conflicts, participants may not give more than one paper, be a discussant in more than one roundtable, or be a respondent in more than one session. A participant may chair up to two sessions. The RSA welcomes graduate student speakers who are within one or two years of defending their dissertations. However, all sessions must include at least one speaker who has received the PhD or other terminal degree. Sessions composed entirely of predoctoral speakers and sessions that include precandidates or MA students will not be considered. Predoctoral speakers should present dissertation research, not term papers. Their CVs must include the dissertation title and expected date of completion to make their eligibility clear to the Program Committee.

Tags:  archival research  archives  authorship  book history  history of reading  history of the book  material culture  print culture  printers  publishers  readers 

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Call for Panels: SHARP @ RSA 2019 Deadline 7/30

Posted By Andie Silva, Monday, July 16, 2018

The Society for the History of Authorship, Reading & Publishing (SHARP) will sponsor up to four panels at the Renaissance Society of America’s annual meeting in Toronto, ON on 17-19 March 2019. SHARP @ RSA brings together scholars working on any aspect of the creation, dissemination, and reception of manuscript and print and their digital remediation.

We invite panel submissions that consider English and/or Continental books and manuscripts from 1350 to 1700. Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers’ archives, production, circulation, and reception. Panels addressing digital methodologies for the study of book history are especially welcome. Participants may also submit a roundtable discussion rather than a panel.

Please include all abstracts and brief CVs (up to 4 presenters and a chair/respondent) in a single .DOCX or .PDF document. Sessions may be submitted without a chair; should the submission be accepted, a chair will be assigned by the SHARP liaison or the RSA committee.

Completed session submissions should be emailed to Dr. Andie Silva (asilva[at]york.cuny.edu) by July 30, 2018. Panelists will be contacted with a decision before the formal RSA deadline.

Before submitting, please note the following RSA restrictions: All participants must be current members of RSA in order to present. In order to avoid scheduling conflicts, participants may not give more than one paper, be a discussant in more than one roundtable, or be a respondent in more than one session. A participant may chair up to two sessions. The RSA welcomes graduate student speakers who are within one or two years of defending their dissertations. However, all sessions must include at least one speaker who has received the PhD or other terminal degree. Sessions composed entirely of predoctoral speakers and sessions that include precandidates or MA students will not be considered. Predoctoral speakers should present dissertation research, not term papers. Their CVs must include the dissertation title and expected date of completion to make their eligibility clear to the Program Committee.

Tags:  archival research  archives  authorship  book history  history of reading  history of the book  material culture  print culture  printers  publishers  readers 

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Popular Readers in Early Modern Spain

Posted By Miguel Martínez, Monday, July 2, 2018
Long-established scholarship on the history of reading has shown that, in part due to the printing and educational revolutions, literacy rates increased dramatically in Renaissance Spain. One of the most remarkable aspects of this moment in the history of literacy is that the ability to read and write spread widely among many different social groups, including the common people. This panel invites papers on artisans, servants, peasants, soldiers, shopkeepers, etc. as consumers of texts in early modern Spain. It welcomes papers on topics such as collective reading, individual readers and book owners, appropriation, partial literacies, mass consumption, public writing and street readers, among many others. Since gender was even more determinant a factor to illiteracy than class in the early modern period, proposals on the reading practices of common women are specially welcome.

Please send a title (15-word maximum), an abstract (150-word maximum) and a short CV to Miguel Martínez (martinezm@uchicago.edu) by August 1st, 2018.
 

Tags:  circulation  cultural history  history of reading  Iberian Peninsula  literature  popular culture  print culture  Spain 

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Spenser's Ethics

Posted By Colleen R. Rosenfeld, Monday, June 4, 2018
Updated: Monday, July 9, 2018
Where should we look in Spenser’s writing to reconstruct the poet’s ethics? Or a Spenserian ethic? Should we look to the legendary virtues that organize the books of The Faerie Queene? To the various forms that his fictions take? To the figures of speech through which he constructs (and reconstructs) ideas and conceptual categories? To the kinds of readers and readings his work has attracted and/or fashioned? This panel seeks papers that investigate the tension between the requirements we bring to the texts and authors we champion and the capacity for writing to shape our evaluations. Possible topics include, but are not limited to: models for judgment; prescription; resistance; presentism; form and obligation; the shaping of character; habit; crisis management.
 
Please submit the following materials to Colleen Rosenfeld (colleen.rosenfeld@pomona.edu) by August 1 to be considered for inclusion: paper title; abstract (150-word maximum); 3-5 keywords; and a one-page abbreviated curriculum vitae (300-word maximum). Please note that RSA is very strict about word count: the system will not accept entries that go beyond the maximum limit.

Tags:  Edmund Spenser  ethics  fiction  form  history of reading  judgment  philosophy  poetry  virtue 

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