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Literature CfPs for RSA 2019 Toronto
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This blog is for CfPs for sessions in literature for RSA 2019 Toronto. Members may post CfPs here: sign in to RSA and select "add new post" to do so. Your post should include a title, and the CfP itself should be no longer than 250 words. Adding tags (key words) to your post will help others find your CfP. Make sure the CfP includes the organizer's name, email address or mail-to link for email address, and a deadline for proposals. Non-members may email rsa@rsa.org to post a CfP. Please use the email address of the session organizer posted in the CfP to submit a paper proposal. CfPs are posted in order of receipt, with the newest postings appearing at the top of the blog. Members may subscribe to the blog to be notified when new CfPs are posted: click on the word Subscribe next to the green checkmark above.

 

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Top tags: Literature  early modern  gender  book history  Poetry  material culture  print culture  Renaissance literature  drama  Iberian Peninsula  identity  women  epic poetry  history of reading  printers  reception history  religion  archival research  art history  catholic reform  classical literature  classical reception  colonial Latin America  cultural history  devotional  digital humanities  history of the book  interdisciplinary  Italian literature  Italy 

Printing, Reception, Editing, and Teaching Thomas More and Early Humanists

Posted By Emily A. Ransom, Tuesday, July 24, 2018

The Amici Thomae Mori is excited to welcome proposals for papers on Thomas More studies to coincide with the publication of the new Essential Works of Thomas More (Yale University Press, 2019).  This single-volume, accessible, readable edition will be the third major collection of More’s works in nearly five hundred years, after the 1557 Workes published by More’s nephew William Rastell and the Yale Complete Works in fifteen volumes completed in 1997. Though papers on all areas of Thomas More studies will be considered, the Amici is especially interested in topics that will complement this important publication, such as print history of humanist texts, reception history of Thomas More and early humanists, editing humanist texts, and teaching humanist texts in the modern classroom.

To submit a paper, please send your title (15-word max), abstract (150-word max), a few keywords, CV, PhD completion date (past or expected), and affiliation to Emily Ransom (ransome@uwgb.edu) by August 10, 2018.  

Tags:  archival research  archives  book history  catholic reform  circulation  devotion  devotional  editing  hagiographical  history of the book  manuscript  Manuscript Culture  networks  pedagogy  print culture  printers  readers  Reception  reception history  transmission  women; hagiography 

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Jesuit Studies

Posted By Kathleen M. Comerford, Thursday, July 19, 2018
The Journal of Jesuit Studies is looking to organize panels in any aspect of Jesuit studies in any region, up to the year 1700, to include history, literature, art history, music history, or related topics, in all geographical areas.

Individual paper abstracts should be no more than 150 words and should identify up to 5 keywords.  Panel submissions should include the name of a chair who is not also a presenter.  All submissions must include a/v requests and a brief CV (including affiliation, date of PhD completion, general discipline area, rank, and publications or other evidence of scholarship) for each participant.  Please submit to Kathleen Comerford, kcomerfo@georgiasouthern.edu, no later than August 5, 2018.  We will consider panels, individual papers, and roundtables for sponsorship by the Journal of Jesuit Studies.  Sponsorship does not guarantee acceptance to the program and implies no intent to publish.

Tags:  book history  catholic reform  classical literature  classicism  colonial Latin America  devotional  digital humanities  drama  early modern; gender studies; interdisciplinary; l  English literature  epic  French  French literature  frontispizes  German literature  hagiographical  identity  intercultural relations  Italian Renaissance  Italy  literature  manuscript  Neoplatonism  patronage  Poetics  print culture  printers  Psalms  publishers  race studies  readers  Reception  reception history  religion  Renaissance culture  Renaissance literature  representation  reproductive prints  ritual  Scripture  seventeenth century  sexuality  slaves  sodality  Spain  the Indies 

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Call for Panels: SHARP @ RSA 2019 Deadline 7/30

Posted By Andie Silva, Monday, July 16, 2018

The Society for the History of Authorship, Reading & Publishing (SHARP) will sponsor up to four panels at the Renaissance Society of America’s annual meeting in Toronto, ON on 17-19 March 2019. SHARP @ RSA brings together scholars working on any aspect of the creation, dissemination, and reception of manuscript and print and their digital remediation.

We invite panel submissions that consider English and/or Continental books and manuscripts from 1350 to 1700. Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers’ archives, production, circulation, and reception. Panels addressing digital methodologies for the study of book history are especially welcome. Participants may also submit a roundtable discussion rather than a panel.

Please include all abstracts and brief CVs (up to 4 presenters and a chair/respondent) in a single .DOCX or .PDF document. Sessions may be submitted without a chair; should the submission be accepted, a chair will be assigned by the SHARP liaison or the RSA committee.

Completed session submissions should be emailed to Dr. Andie Silva (asilva[at]york.cuny.edu) by July 30, 2018. Panelists will be contacted with a decision before the formal RSA deadline.

Before submitting, please note the following RSA restrictions: All participants must be current members of RSA in order to present. In order to avoid scheduling conflicts, participants may not give more than one paper, be a discussant in more than one roundtable, or be a respondent in more than one session. A participant may chair up to two sessions. The RSA welcomes graduate student speakers who are within one or two years of defending their dissertations. However, all sessions must include at least one speaker who has received the PhD or other terminal degree. Sessions composed entirely of predoctoral speakers and sessions that include precandidates or MA students will not be considered. Predoctoral speakers should present dissertation research, not term papers. Their CVs must include the dissertation title and expected date of completion to make their eligibility clear to the Program Committee.

Tags:  archival research  archives  authorship  book history  history of reading  history of the book  material culture  print culture  printers  publishers  readers 

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Call for Panels: SHARP @ RSA 2019 Deadline 7/30

Posted By Andie Silva, Monday, July 16, 2018

The Society for the History of Authorship, Reading & Publishing (SHARP) will sponsor up to four panels at the Renaissance Society of America’s annual meeting in Toronto, ON on 17-19 March 2019. SHARP @ RSA brings together scholars working on any aspect of the creation, dissemination, and reception of manuscript and print and their digital remediation.

We invite panel submissions that consider English and/or Continental books and manuscripts from 1350 to 1700. Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers’ archives, production, circulation, and reception. Panels addressing digital methodologies for the study of book history are especially welcome. Participants may also submit a roundtable discussion rather than a panel.

Please include all abstracts and brief CVs (up to 4 presenters and a chair/respondent) in a single .DOCX or .PDF document. Sessions may be submitted without a chair; should the submission be accepted, a chair will be assigned by the SHARP liaison or the RSA committee.

Completed session submissions should be emailed to Dr. Andie Silva (asilva[at]york.cuny.edu) by July 30, 2018. Panelists will be contacted with a decision before the formal RSA deadline.

Before submitting, please note the following RSA restrictions: All participants must be current members of RSA in order to present. In order to avoid scheduling conflicts, participants may not give more than one paper, be a discussant in more than one roundtable, or be a respondent in more than one session. A participant may chair up to two sessions. The RSA welcomes graduate student speakers who are within one or two years of defending their dissertations. However, all sessions must include at least one speaker who has received the PhD or other terminal degree. Sessions composed entirely of predoctoral speakers and sessions that include precandidates or MA students will not be considered. Predoctoral speakers should present dissertation research, not term papers. Their CVs must include the dissertation title and expected date of completion to make their eligibility clear to the Program Committee.

Tags:  archival research  archives  authorship  book history  history of reading  history of the book  material culture  print culture  printers  publishers  readers 

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Printers, Their Social Networks, and the Public Sphere

Posted By Scott K. Oldenburg, Monday, May 28, 2018

For a proposed panel at RSA 2019 (Toronto, 17 -19 March): I am seeking papers on early modern printers. Our modern sense of publishers as (more often than not) merely profiting from the creative agency of authors obscures the meaningful role early printers had in cultural production, politics (conservative and radical), the reception of major works, and the establishment of a public sphere. Printers sometimes simply sought sales, but they also often specialized and promoted particular agendas. Thomas Berthelet, for instance, printed several texts in support of the humanist education of women; French Protestant printer Thomas Vautrollier teamed up with Arthur Golding to produce Huguenot propaganda; and a few weeks after a stint in Newgate, Gabriel Simson printed Luke Hutton’s The Black Dog of Newgate, a scathing attack on the conditions in that prison. In what ways did individual printers shape the discourse of the period? How did the social network of a printer, or the materials of a particular shop contribute to ideological output? How did female printers (Elizabeth Allde, Jacqueline Vautrollier, Ellen Boyle, and others) influence prevailing ideas of gender or religion? How did specific apprenticeships influence the output of particular shops? In what ways did the Stationers Company and other such organizations facilitate or hinder open discourse? Although the above examples are about English print shops, the call is open to scholars working in other languages and regions as well. Proposals due August 1, 2018.

Send proposals to Scott Oldenburg, soldenbu@tulane.edu

Proposals should include 1) paper title; 2) abstract (150-word max.); 3) short cv (300-word max, not prose); 4) list of five keywords; 5) AV requirements. Note that panelists must register for the conference and arrange for their own travel and lodging. 

Tags:  book history  gender  literature  material culture  microhistory  print culture  printers 

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