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Literature CfPs for RSA 2019 Toronto
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This blog is for CfPs for sessions in literature for RSA 2019 Toronto. Members may post CfPs here: sign in to RSA and select "add new post" to do so. Your post should include a title, and the CfP itself should be no longer than 250 words. Adding tags (key words) to your post will help others find your CfP. Make sure the CfP includes the organizer's name, email address or mail-to link for email address, and a deadline for proposals. Non-members may email rsa@rsa.org to post a CfP. Please use the email address of the session organizer posted in the CfP to submit a paper proposal. CfPs are posted in order of receipt, with the newest postings appearing at the top of the blog. Members may subscribe to the blog to be notified when new CfPs are posted: click on the word Subscribe next to the green checkmark above.

 

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Top tags: Literature  early modern  gender  book history  Poetry  material culture  print culture  Renaissance literature  drama  Iberian Peninsula  identity  women  epic poetry  history of reading  printers  reception history  religion  archival research  art history  catholic reform  classical literature  classical reception  colonial Latin America  cultural history  devotional  digital humanities  history of the book  interdisciplinary  Italian literature  Italy 

Fraud, Mockery, Jest, and Cony-Catching in the Early Modern Period

Posted By Ani Govjian, Friday, July 20, 2018

Fraud, Mockery, Jest, and Cony-Catching in the Early Modern Period

To what extent is a jest also a lie? Are frauds funny? Taking a cue from “mockery” as mimic, sham, and spoof, this panel is interested in the ways fraud, imposture, and deceit function as ludic entertainment – whether intentionally or as byproduct.

This panel invites submissions that consider the jocularity of fraud, counterfeit, trickery, disguise, quackery, and cozenage. Papers are welcome to explore the theme in regards to:

-  Material culture including trick objects like blow books, mock almanacs, or fraudulent copies of famous works

Gendered experiences of deception or artifice

-  Jestbooks, ludic ballads, mock pamphlets

-  Mountebanks, street performers, gambling games, and pick-pockets

Medicine, especially the preoccupation with quack physicians

Natural philosophy and debates pushing back against charges of superstition

-  Magic, either through a focus on prestidigitation or representations and discussions of witchcraft

Satire

parody

Religious debates including displays of anti-Catholic sentiment and fears as well as fetishizations of “Popery”

-  Theatre, stagecraft, and/or anti-theatrical sentiment

 

Proposals should be for 20-minute papers, and should include:

    title for the paper

    abstract of 150 words

    1-page CV

    current contact information

    A/V requirements

 

Submit proposals to agovjian@live.unc.edu by Friday, August 10, 2018. Subject line: “RSA – Fraud and Mockery.”

 

Tags:  allegory  archival research  book history  drama  early modern  English literature  gender  interdisciplinary  literature  manuscript  material culture  mimesis  Poetry  popular culture  print culture  recipe books  religious  Renaissance literature  Renaissance studies  reproductive prints  truth 

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The Question of Truth in Renaissance Sacred Poetry

Posted By Francesco Brenna, Saturday, June 30, 2018
Updated: Sunday, July 1, 2018

How do the questions debated in Renaissance poetics-truth, verisimilitude, imitation, the universality of poetry vs. the particulars of history, poetry as a useful lie, allegory-change when the subject matter is sacred? What do we make of the gap between this type of theoretical reflection, articulated in Aristotelian and Horatian terms, and a Christian type of poetry? Which problems does the status of the poetic text present when the object of poetry is revealed truth? What is the relationship between poetry and the text of the Bible? To answer these questions, this panel invites papers on sacred and biblical epics, devotional and hagiographical poems, dramas, verse paraphrases of the Bible, and religious poetry in general from across Europe. Papers on the Italian and English Renaissance are particularly welcome, as well as papers reflecting on the difference between poets writing in Reformed countries and poets writing in Catholic and Counter-Reformation countries.

Please send paper proposals to Francesco Brenna (fbrenna4@jhu.edu) by July 14th, including:
- paper title (15-word maximum)
- abstract (150-word maximum)
- curriculum vitae (.pdf or .doc)
- PhD completion date (past or expected)
- full name, current affiliation, and email address.

Tags:  Adam  allegory  Andreini  Bible  Cowley  Davenant  devotional  epic  Erasmo da Valvasone  Eve  false  God.  hagiographical  Milton  poetry  religious  sacred  Sannazaro  Satan  Scripture  Tasso  truth  verisimilar  Vida 

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