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Literature CfPs for RSA 2019 Toronto
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This blog is for CfPs for sessions in literature for RSA 2019 Toronto. Members may post CfPs here: sign in to RSA and select "add new post" to do so. Your post should include a title, and the CfP itself should be no longer than 250 words. Adding tags (key words) to your post will help others find your CfP. Make sure the CfP includes the organizer's name, email address or mail-to link for email address, and a deadline for proposals. Non-members may email rsa@rsa.org to post a CfP. Please use the email address of the session organizer posted in the CfP to submit a paper proposal. CfPs are posted in order of receipt, with the newest postings appearing at the top of the blog. Members may subscribe to the blog to be notified when new CfPs are posted: click on the word Subscribe next to the green checkmark above.

 

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Top tags: Literature  early modern  gender  book history  Poetry  material culture  print culture  Renaissance literature  drama  Iberian Peninsula  identity  women  epic poetry  history of reading  printers  reception history  religion  archival research  art history  catholic reform  classical literature  classical reception  colonial Latin America  cultural history  devotional  digital humanities  history of the book  interdisciplinary  Italian literature  Italy 

Devotional Materiality in Early Modern England

Posted By Jantina Ellens, Saturday, June 30, 2018

Seeking papers to complete a panel on material manifestations of Protestant faith in early modern England to be presented at the annual meeting of the Renaissance Society of America, Toronto, March 17-19, 2019.


This panel considers how Protestant worship practices are tied to the material world. How do the physical qualities of worship influence the stereotypically “cerebral” qualities of the Protestant faith? How is the divide between public and private worship complicated by the physicality of devotion? Panelists might approach these questions by considering how Protestant devotional practices involve the body or what role texts play balancing the spiritual and the physical in Protestant devotion? They might also consider:

  • Descriptions of protestant devotional practices

  • The physicality of liturgies and/or devotional texts

  • Calvinist materiality

  • The gendering of devotional practices


Please email paper proposals, including a title and abstract of 100-150 words, as well as a one page CV (300 words) to Jantina Ellens (ellensjc@mcmaster.ca) by Sunday, July 8, 2018.

Tags:  bodies  body  book history  Calvinism  catholic reform  classical literature  devotion  devotional  early modern  gender  gender studies  identity  literature  material culture  poetry  religion  religious  religious poetry  Renaissance literature  women 

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Rewriting and Adapting Classical Women in the Italian Renaissance

Posted By Victoria G. Fanti, Wednesday, June 27, 2018
Updated: Wednesday, June 27, 2018

From compendia of “illustrious women” modelled on Boccaccio’s De mulieribus claris, to Machiavelli’s Lucrezia in the Mandragola, to Giambattista Gelli’s (male-driven) philosophical dialogue La Circe, women from the classical tradition are resurrected in many forms and to many ends over the course of the Italian Renaissance. This panel seeks to investigate how authors and intellectuals rewrote, revised, and (in some cases) reclaimed classical women in Renaissance Italian discourse and literature. 

Topics, authors, and questions that papers might address include, but are not limited to:

-       How do discussions or representations of classical women in philosophical or didactic genres like dialogues, treatises, and compendia of “illustrious women” engage with the ancient past? How are classical women recast or reframed to argue contemporary issues, such as the debate surrounding the querelle des femmes?

-       How do Italian Renaissance women writers like Gaspara Stampa, Lucrezia Marinella, or Moderata Fonte recall, rewrite, or reclaim narratives of classical women in their textual production and/or in their authorial personae?

-       How were classical women reimagined or emulated in Italian Renaissance drama? This might include women’s roles as heroines or antiheroines in comedies like Machiavelli’s Mandragola and tragedies like Trissino’s Sophonisba, or the legacy of the cult of Diana in the pastoral.

-       How do exempla of classical women compare to discussions of contemporary women? What function do classical women fill in light of new female regents and their emerging presence on the European stage? (e.g. Tasso’s Discorso della virtù femminile e donnesca or Serdonati’s Donne illustri)

 

Please send questions and/or abstracts (150 words) with a brief biography, A/V requests, and keywords to Victoria Fanti at vfanti1@jhu.edu by July 25, 2018. 

Tags:  early modern  gender  gender studies  Italian literature  literature  reception studies  Renaissance literature  women 

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DEADLINE EXTENDED--Wonder Women: Amazons in the Early Modern European Imagination

Posted By Victoria G. Fanti, Wednesday, June 27, 2018
Updated: Thursday, July 26, 2018

**Deadline extended to August 3**

Session chair: Gerry Milligan, CUNY

The blockbuster success of the 2017 film Wonder Woman reignited a global interest in the figure of the Amazon, eliciting celebrations of female strength and independence alongside debates about her exoticism and sexualization. A sequel, already highly anticipated by many, is slated for release in late 2019.

Such a widespread interest in the Amazonian warrior-woman—both her allure and her paradox—is not, however, a new phenomenon; the Amazons likewise captured the popular and elite imagination of the Early Modern period, featuring in literary productions across Europe. Building on scholarship by Frédérique Verrier, Kathryn Schwarz, Sarah Colvin and Helen Watanabe-O’Kelly, Eleonora Stoppino, and Gerry Milligan (among many others), this panel seeks to put Early Modern representations of Amazons into dialogue with one another, across linguistic traditions and national borders, in order to explore the nuances of how these women were imagined, discussed, and disseminated across Europe.

We welcome papers that explore questions of sexuality, female violence, gender-bending, orientalism, politics, and the like. Texts and themes of interest might include, but are not limited to:        

-       Histories (and “histories”) of the Amazons

-       Literary and poetic imaginations of Amazonian women and/or their descendants, such as in the epic-chivalric tradition or in theater and/or opera

-       Treatises, dialogues, or correspondences that make reference to Amazons in order to engage with the querelle des femmes

-       The Early Modern use of Amazonian lore or symbolism for encomiastic purposes

 

Please send questions and/or abstracts (150 words) with a brief biography, A/V requests, and keywords to Victoria Fanti at vfanti1@jhu.edu

Tags:  early modern  English literature  French literature  gender  gender studies  German literature  Iberian Peninsula  inter  interdisciplinary  Italian literature  literature  Renaissance literature  women 

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CFP: The Female Body as Text in Renaissance Literature

Posted By Allison Collins, Wednesday, June 13, 2018
Updated: Monday, July 16, 2018

 

**DEADLINE EXTENDED to July 27

*This is a guaranteed session*

 The Female Body as Text in Renaissance Literature

As the Renaissance saw a rise in female literacy and texts addressed to women readers, the relationship between gender and genre was foregrounded in debates about the appropriate texts for women to read – or if it was appropriate for women to read at all.  These conversations particularly centered on the genre of romance, simultaneously a genre classed as feminine and a genre deemed morally inappropriate for women to read. While these debates raged outside literary texts, within the texts themselves, we see women reading and women as objects to be read – both by the reader of the text and by other characters within the text. How does the female body serve as a text within a text? What unique possibilities does the female body offer for allegory, for interpretation, or for generic symbolism? How is the female body productively linked to literary meaning in the Renaissance? This session, sponsored by  UCLA’s CMRS, proposes to explore these issues through interdisciplinary papers and discussion.

If interested in submitting a proposal for this panel, please send a paper title, a 150 word abstract, and a CV to Allison Collins (abcollins@ucla.edu) by Friday, July 27th.

Tags:  early modern  gender  literature  reception history  Renaissance literature  women 

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Margaret Cavendish Society Sponsored Sessions CFP

Posted By Lara A. Dodds, Wednesday, May 16, 2018

The Margaret Cavendish Society will sponsor one or more panel sessions at the Renaissance Society of America annual Meeting in Toronto (March 17-19, 2019). We invite proposals for presentations on any topic related to the works of Margaret Cavendish.  Please submit abstracts (150 words maximum) and a brief CV (300 words maximum) to Lara Dodds (ldodds@english.msstate.edu) and James Fitzmaurice (j.fitzmaurice@sheffield.ac.uk)

 by August 1, 2018.

Tags:  Cavendish  gender  literature  women 

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Society for Early Modern Women: Call for Panels

Posted By Molly Bourne, Friday, April 27, 2018

The Society for the Study of Early Modern Women (http://ssemw.org) will sponsor up to four panels at the 2019 annual conference of the Renaissance Society of America (RSA), to be held in Toronto, 17-19 March 2019. I am soliciting proposals for pre-formed panels in any discipline that explore women and their contributions to the cultural, political, economic, or social spheres of the early modern period. Proposals that include young/emerging scholars are especially welcome. 

 

Sponsorship of a panel by the SSEMW signifies that the panel is pre-approved and automatically accepted for presentation at the RSA annual meeting.

 

Proposals for a pre-formed panel (or linked panels) should be sent to Molly Bourne (mhbourne@syr.edu), SSEMW associate organization representative for RSA, by no later than Wednesday 1 August 2018 with the following materials, assembled into a single Word document (no PDFs please):

 

-        Abstract (max 150 words) describing the panel

 

-        Names of Panel Organizer(s), Chair, Speakers & any respondent(s), including institutional affiliations + email address for each participant

 

-        One-page CV for Organizer(s) & Speakers only; max 300 words each (not in prose) 

 

-        For each paper: title (max 15 words), abstract (max 150 words) & keywords (up to 4)

 

-        Specification of any audio/visual needs

 

Decisions regarding SSEMW panel sponsorship will be sent out at least seven days prior to the regular RSA submission deadline (15 August 2018) for submission of panel or paper proposals.

 

Please do not hesitate to contact me with any questions.

Molly Bourne (mhbourne@syr.edu)

Syracuse University Florence 

Tags:  art  gender  history  literature  material culture  religion  women 

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